I went quite by chance, since I would stay there forever. The annual film festival amateur Kelibia. Home movies, there were: very poor, but others were a pure delight. I have only attended those projected Friday night. These were the films Reconciliation of spouses, Real life (much ado about nothing), Paola left (the title leaves us waiting for a good movie but the Latin one is faced with a scenario tasteless irra9dou 3ala el kelb kharaytou). Scenarios of these films are worse than porn movies in the fineness of the aftershocks and the aesthetic, not even talking about the game of certain players. It remains the festival of amateur film will tell me some but I see the amateur does not mean lack of artistic sensibility, because, fortunately, other "amateurs" have fared as well as masterpieces by the originality of the subject by the aesthetic sensibility their short films.
For the originality of the topic, I loved both Dentophobia qu'Obsession. The latter also gave us the right to scenes of great beauty to mention that under water and the last in the rain. But the most beautiful film in my eyes veiled Land of Mejdi Dabebi. It one of the few directors who took the gamble of relying on the intelligence of the viewer. The film disturbing at first you do not understand and apply it to understand. A film I like, fine, aesthetically desired. A silent film but that is about it. The acting at times highly theatrical features a woman who oscillates between submission and rebellion against man, (the choice of the actor is quite relevant, a manly man, rough and raw, that of an actress Just under a lot less fine for the role). The originality of the film lies not in the subject but in the way to treat it, tackling the topic of relations between men and women worn without lapsing into cliché is a challenge Mejdi Dabebi noted with gusto. If one word could summarize the movie, that's the word object. The director tells the subject to tell the man. fetishism Mejdi meets at the corner of a wall on which it crushes an orange that has been peeled, it occurs in the manufacture of a necklace, a string tied to a foot or an ethereal veil floating in the water, left behind as the Japanese manga of my childhood. A Asian delicacy that is found in a film full of modesty. Mejdi Dabebi does not say. It beckons. The shadow in the late stage an aerial courtship. The woman was freed from its veil and was offered. One man, one woman, Adam illusion of those who were one with nature: it tames the heat from the earth, she left her past in the water without return. Man becomes man fire bird, majestic and beautiful, he tries to fly away. Icarus, the bird flew child but was too near the sun ... but he fears nothing, he flies in for the night the sun setting, behind the shadow. And Mejdi Dabebi flew behind him on stage accepting the award from sudden heart of the jury for the aesthetic of the film.
Under your applause .... please.
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